In recent years some notable real estate projects of economic strength created in Buenos Aires some sectors whose names are not officially on maps of the city, but in the collective consciousness. Thus one can speak of different Palermo (Soho, Hollywood, Queens), and even of Congress (no such name of district but is within Balvanera).
One of the latter cases Madero Harbour, behind the dam 1, whose closest entrance is the Avenida Brasil, and close to the Floating Casino, in Puerto Madero.
is a major undertaking that is notable because it is a complex of homes, offices, shopping and hotels that are now in accelerated construction from the well of work.
The assessment is that in Buenos Aires, when it comes to this type of large building projects , designed to admit large purchasing power, the state (in this case the City Government of and is the political power that is) is responsible in the first instance to strengthen the public space, care and beautification and not seen in any elsewhere. In this case, the implementation of traffic lights Avenue widening of Brazil and the empowerment of previously closed streets seem to endorse it.
For now, the most concrete of Madero Harbour is square, with maintenance and care are Gnvgroup by the real estate developer in charge of the project Madero Harbour. (Source: clarification of the company by mail www.salemviale.com.ar , communication consultant Madero Harbour.)
Similar reflection in reference to public space emerges in relation to the surrounding Hotel Slaughter (at a time that was being built) and even in Bullrich Avenue, where the mosque is in Buenos Aires.
Here you can see the square and finished (belonging to complex Madero Harbour) . More can be seen behind the tallest buildings in the city, highlighting El Faro and Le Parc (still under construction and neighbors for a few meters to the Harbour). This complex can be seen entering the city from different distant points, currently making a new landscape of urban dynamics.
are artistic expressions that are qualifying to the city with aesthetic and creative ways. There is a growing and crowded places that seem so little forgotten, as the plaza in Cochabamba street, reaching Sarandi, one block before the climb to the highway May 25 westbound.
There is little information about the author and a few graffiti ruining this work, fortunately.
C hen is not sailing around the world, the frigate rests on the dock of the Naval Station in Buenos Aires Buenos Aires port. To be able to admire it, the closest entrance is the Córdoba Avenue, where as you can see the masts can be seen even from some points in the vicinity.
The mask is of course the Republic Argentina a female figure, crowned with Phrygian cap, ancient symbol of one of the most prized acquisitions of man Liberty. As all seafaring tradition, rich in foreshadowing, chewed serves as a guard against the dangers to the ship and its crew. The remarkable work was done by the English sculptor Carlos García González.
From mythological times of the ship Argo of Jason and the Argonauts, the figurehead was a key component to take into account construction of ships. In "The Greek Myths, Robert Graves collected from Valerius Flaccus and Apollodorus the testimony that Athena herself oracular put a mast in the bow of the Argo, Oak cut his father Zeus at Dodona. This bow "... had a graceful curved like the neck of a swan, but ended in a carved ram's head ..." . Thus imagine Graves in "The Golden Fleece" (in a interesting fusion of poetry and historical narrative) to the legendary bow of the ship Argo.
there a place in Buenos Aires where you can be a nice collection of figureheads of the nineteenth century, is in the Museum of Fine Arts Mouth Quinquela Benito Martín.
objects have fallen into disuse because of the inevitable progression of other wonders of modernity, but not without the beauty that only the patience of Job craft can be granted.
Participate in acting and producing short films of audiovisual production workshop of the Communication major and other independent work.
interpreter is a stable production Hanger Group "must" (co-Winner of 2008 given by the Municipality of Rosario), directed by Martin Giger.
Lorena Arroyo studied acting and theater since 2001 with teachers and Naomi Giger Martín Asenjo, and from 2004 to 2007 air theater was formed under the coordination of Mauritius Marc
Integra team Management and Planning of the group "The Roost" since 2006 where he also serves as coordinator of one of theater workshops and responsible for air communication.
acted in the works Dissolved (2007) , Comic Cap. III (2008 / 9) and participated in various short films for Film and TV School and the Faculty of Social Communication. It interpreter stable production Hanger Group "must" (Winner of 2008 given by Coproduction the Municipality of Rosario), directed by Martin Giger.
is fifth-year student of Bachelor of Social Communications at the Universidad Nacional de Rosario and was part of visual corporate communication team of the Faculty of Political Science and International Relations. Acrobatics coordinates fabric shop in the preschool and primary school Latin American Educational Center. currently serves as an intern at the Teatro Municipal La Comedia in the Communication area
Juan Pablo Biselli
acted in the plays "The Days of Julian Bisbal" (Address : Martin Giger) 2004, "The Gatekeepers of Marullus" (Address: Marcelo Palma), from 2005 to 2006, "Classics for all" (Address: Marcelo Palma), from 2006 to 2008, "The Jumping Bean Improv Club, Make Match and Match for children "(Director: Cristian Marchesi) 2005 - 2009, "To Be The Odyssey" Adela Basch, winning the municipal Productions Co 2006 and the National Theatre Festival 2008 (Director: Cristian Marchesi), "should", winning the Co Productions 2008 (Director: Martin Giger) 2008 - 2009, and "Essence" (Address: Carolina Diaz Nelly) 2008. As a musician integrates projection band Andean "Azulpampa" (charango), Pre-festival finalists Cosquín 2005, award revelation "Diamond 2006" Festival Winner Baradero 2007 and granted by the first mention TRIMARG (an agency of UNESCO) for the album "AZULPAMPA Volume One."
; Maite Pérez Pereyra
is a student of fifth year career of Architecture Planning and Design National University of Rosario .
studied dance Manager and Ana Paula Varela. Attended the closing function COBAI 2003 with the work: "Coming", and contemporary dance, "Luzia", \u200b\u200bpresented at the 15 º North Theatre Festival Santa Fe in 2006. Participated in the 7 th festival of "The Crossing" to "The French are fired" (Ana Varela).
Sofia Maggi Fernández is sophomore at the School of Architecture, Planning and Design of the Universidad Nacional de Rosario. In 1997 he joined the Municipal School of Dance and Performing Arts "Ernesto de Larrechea" finishing the full course in 2007, the year when entering the Ballet Municipal de Rosario Classical Dance. In 2008 makes the fabric workshop at the School of Urban Arts with Professor Cecilia Rosario Bustamante.
began his acting training at The Hanger Rosario Group in 2009 with teachers and Giger Martín Ignacio Farias. Currently incorporated into the production "must" Group led the Percha Martin Giger. (Co-Winner of 2008 given by the Municipality of Rosario).
began his acting training in 2002, taking courses of action by teachers Doris Garcia and Edgardo Rossini. In year 2008, he graduated with a Theatre Technician Itinerary Performance at the State School of Theatre and Puppet No. 5029. In the same year he began Air Theatre Workshop, coordinated by Marc Mauritius, organized by the Grupo La Percha and performs improvisation workshop coordinated by Cristina Banegas. In 2009, procedures performed contemporary playwrights workshop taught by Luis Cano.
acted in the plays "Raise the Head" adaptation of "catastrophe" of S. Beckett, directed by Marc Belardo (2007), "Fractal" de Rafael Spregelburd, dirigida por Hernán Ledesma (2008). Es intérprete estable de la producción del Grupo la Percha “Debana” (Ganadora del premio Coproducciones 2008 otorgado por la Municipalidad de Rosario), dirigida por Martín Gigena.
Es estudiante de tercer año de la carrera Licenciatura en Filosofía de la Universidad Nacional de Rosario.
is a student of fourth year of studying law and political science American Open University. In 2009, he was awarded by the Center for Dissemination of the degree of 1re Aikido. Dan (Shodan), which enables him to teach the Japanese martial discipline, which has eleven years of practice. His acting training began in 2008 with Adrian Giampani, continuing during 2009 and 2010 in Action workshop, production and assembly, the group's hook with professors Ignacio Martín Farías and Giger.
actor productions Integra Group The Roost "Comic Chapter III," directed by Ignacio Farias and "must" (co-Winner of 2008 given by the Municipality of Rosario), directed by Martin Giger.
Direction and Executive Production ;
Martin Giger (See About director)
Organization and general production
Most of the country, and especially Buenos Aires at the moment prior to the filing of the vehicles, are awaiting the Paris-Dakar version 2009 at place between Argentina and Chile.
02 January 2009 made a symbolic start from the Obelisk, prior to the start official to observe people and vehicles admire the race.
For Libertador Avenue, and without cutting the traffic, the spectacular vehicles were traveling and mingling with private taxis.
In principle were the bikes that came from La Rural in Palermo to the city's downtown. could Bikes seen as individuals also accompanied them, took photos and even talked as they marched down the avenue. The majority of motorcyclists different countries paraded in a circle (with Willie) or standing on the bikes, with good attitude, greeting everyone with a photo and chatting too.
Each red light on Libertador Avenue was used by the curious to say hello and wish luck to the runners, but especially to look closely at the trucks on the outside and inside.
Some runners may feel celebrities before the enthusiasm of the locals.
Brazilian Corridor approached by motor racing fan on Avenida 9 de Julio.
On July 9th Avenue was not cut traffic, so everyone could move accompanying vehicles get off, take pictures and share with the riders, all in harmony and festive atmosphere.
mixed couple, a Belgian and a Frenchman.
Many Argentines are enough fans of racing cars. It assists in crowds to the various races in various categories, and even when Buenos Aires was the home of Formula 1, the racetrack overflowing. Therefore, there are many who did not waste the opportunity to see the engines and
instrumental trucks.
is hoped that on this day, all Argentines know about cars than themselves understood.
