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Review of the proposal

Debana account the stories of the desert. But do not sand or water, but those expressing the empty deserts of loss and absence. Outs, uprooting, disaffection, dissatisfaction, horror, items and return, the eternal return, issues such expressed on a single platform and multiple metaphorical; the trip.

The proposed short stories spun segmented situations on shocking events that occurred in some children.

On Language ...

Debana not trying to tell one story, it is proposed that each viewer complete motoric stories and reminiscences by establishing poetic witnessed the events.

This work is not always a conductive line of principle, -end development. There are scenes that begin and end in themselves, and others that have a relationship with prior or subsequent scenes. anchors are called upon to enact narrative through images, situations, and movements in order to suggest experimenting with the opening of the senses, feelings, and emotions of the public.

About Debana actor

Debana The actor is always present, not a work: the causes, and undo a work ever organized. It is a process of deconstruction. Debana
not try to dance, or act, but all this is happening. The subject building stage with himself, with others, with space to move, over time, with the vacuum, with music, with objects, to make a new whole with estso, is an actor-composer.

address

This paper seeks the intersection of different styles of theater. It is a drama that explores a leadership style self, Mistura various theatrical poetic techniques in order to achieve their own narration.

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This work is an exploration of 3 years, focusing on theoretical knowledge practical, and the to propriation, research and experimentation with different performance records.