Borderless Laser Printer

Blog: Raw-

www.silviauriteteatro.blogspot.com Dir Mariela Asensio
"Muscari natural" - by Silvia Urita
What else can be said of José María Muscari, former enfant terrible of the theater off Buenos Aires?
Many critics bias and neophytes about this being so particular.
This work is down, and submit to Jose, the real, the son of merchants that "banks 6 years of study, who hates having kilos over and killed in the gym, you want to be as muscular bodybuilding, who cares about his parents and great.
The work is a tour of the various scenes from the life of Muscari: See photos of her childhood, adolescence, how he became the Muscari we know. And later, the topics of his current life. The obsession with healthy living, his friends, his coach Cristina Musumeci (to whom he dedicated the Biodrama Fetish at the Teatro Sarmiento), his ego ideal, "the Mole", a really muscular guy, his love life, your plans, your projects.
All crossed in a very aesthetic Asensio, very pop, with topics ranging from Enrique Iglesias, to Vex Gaby, up close with Lisandro Aristimuño. The three women (Maria Soledad Tuchi, Soledad Mariana Cagnoni and Plenazio) that accompany it, and make their live audience wearing a black corset with fishnet stockings, Madonna style, highlighting the costume design Vessna Bebek.
However, the work is not trivial or light, tells the story of someone who had to fight hard to get where it is, complexes, traumas, mistakes and difficulties.
is a "show of Muscari" where he rules the stage and tells us about his interesting life. A very moving is the moment where it appears his family, but he lacks a sense of humor. To know the true
Muscari, beyond the lights and Gym protein meal.

RAW this is not fiction
A creation of Mariela Asensio
based entirely on the life of his best friend, José María Muscari

works: José María Muscari
Actresses on stage: Soledad María Soledad Tuchi
Mariana Cagnoni
Plenazio

Assistant Director: Maria Soledad Tuchi
General Production: Mariela Asensio
Production Assistant: Juan Borraspardo

Choreography: Gabriela Barberio
Costume Concept: Making
Bebek Vessna wardrobe: Nancy Murena
Producer of videos: Martin Gomez and Hector Gonzalez
Filmmaker Karaoke and credits: Diego Rubio married
Graphic Design: Rocío Paladin
Photo: Clara Muschietti, Sol Levitas
scenic Filmmaker: Nicholas Boat
Texts: Asensio-Muscari
Press: Debora Lachter & Assoc
info@deboralachter.com.ar
www.deboralachter.com . ar

Script and Direction: Mariela Asensio

Functions: Mondays at 21 at Piccadilly Theatre

Av Corrientes 1524 - Reservations: 4373 to 1900
Locations: $ 30
Blog: Latest 3 functions
www.crudoteatro.blogspot.com

This show has the support of Proteatro, National Theatre and National Endowment for the Arts.

Paper Cut Like Scratch From Yeast Infection?

is vieneeeeeeeeeeeeeeeeeeee
The first images of the DVD of Madonna recorded in Buenos Aires!!

Sticky & Sweet Tour

I Caught My Sister Mastrabating

craft blog interview us

RAW - Muscari / Asensio
All who knows Jose Maria Muscari expected something from him. Everyone who worked with him, or saw their works known to have that transgression to the public but still moving on the border with complicidad.Esta time surprised me. O no.No because these elements have not named as pillars of their creations, but because it was he himself who put them in juego.José Maria actor. And no actor in a text from another (that would be "weird" or "less frequent" in it), but their benchmark exponent alter ego. Or rather, he himself being mismo.Ya is from a blog, a screen with your own Facebook, a call to his parents live, or cook a fried egg on the scene ... he opens wide, to show, in a funny, funny, sensitive, natural who is José María, how the world around him. "Josecito" appears on the scene by brushstrokes fine Mariela Asensio was able to give. Whether its qualities as a playwright, director or goes "Muscari best friend." Rosario SabarrenaTe invite you to share the interview I did with José María Muscari, star of CRUDO.1 / How did the idea of \u200b\u200bdoing a play about yourself? Of my need to act. I had some texts written long ago, very self-referential and called Mariela Asensio. She rolled the drama and created the site (raw) talking about me and my vida.Pero not only that, speaking of technology, of obsessions and thousands of more universal themes that my own mundo.Creo that magic has returned the work Mariela something so accepted and enjoyed for all audiences and is all the time género.Crudo experience feliz.2 / Mariela Asensio Why? Because his earlier works "Hotel melancholy" and "Women in the bathroom" I loved, I was caught. He knew that his pragmatic way was a good meeting place. Because it's my best friend and she knows me like nobody else. Because no interest in the theater of representation and it gets me. Because it was a good woman and the look of a woman on a man's life. Because it is personal and trabajadora.3 / Your works have a lot of "exposure" from the actor, either with their body, their sexuality, their words, the public face of a very particular way. Why do you think you have that common denominator (if you agree with me that what you have) and why this time encouraged to be yourself which is exposed? I think my paintings are me. I am well and that shows in my creaciones.Creo also the person and the artist are less separable, then my work and my material speak to me despite myself. But in oil, the idea of \u200b\u200bexposure was not something premeditated, it was rather a Mario game, a universe personal poetic that she suggested and I added up without resistance: from calling my parents live, check my mail or show pictures of my parejas.Todo led him and created it, I was playing, saying yes, bringing my little world. And as I trumpeted for years and explore the boundaries of fiction and reality, humanity versus personal shows, I found myself in the foreground was attractive and I decided not pensarlo.4 / What role do you feel playing your old in this fact art? are a key element in my daily life and portrays the existence RAW, then they are included as tales.Ellos know that when they talk to me the public to hear, but not being actors have no chance and they are acting, it becomes the intersante.La phenomenon is rare and happy experience, ambiguous. And it's not fiction, but is an artistic personal.5 / Your audience is wide and varied, but there is still a "clan muscari", people who follow you, you see your work because you know, because laburo with you in any chance, because I was in a teaching seminar. What was the response you feel that this work from both public (who knows you and you not) who knows me I think he found very little sensitivity mostrada.Esa my sensibility, that color is part of my existence Mariela and captured him and threw him in a show for nothing melancholy pop.Creo but that the public, the cult, going to RAW to see a work of excess and is narcissistic with a side of the coin completely unknown as to my way of being on stage or the emotions that the show takes you. Merit Mariela.Y who knows me doubly identified with RAW because it is a show that also generates immediate support, deeper, friendship, love, happiness, even in the daily pain. And that the public will agradece.6 / When and where do you turn to? From July AUTHENTIC, my new book on the originalidad.Una work based on other works, plagiarism, on scraps of past works. A tribute to what we like cinema, youtube, music chatarra.Una meeting of five friends who discuss political and microphones bleed sexualidad.Cinco emoción.Blog of this work in construcciónwww.autenticoteatro.blogspot.comMi blog personalwww.mundomuscari.blogspot.comweb laboralwww .portaldedramaturgos.com.ar / josemariamuscaritodas CRUDOwww.crudoteatro.blogspot.com7 news about single function. Monday, 21 hs., $ 30Finaliza mayoTEATRO on Monday, 25 Piccadilly. Corrientes 1524Entradas for sale at the box office or

4373-1900