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TRINIDAD AND SEMINARS WORKSHOPS NOVEMBER 2010 PROGRAMMING 2011

2011 WORKSHOPS AND SEMINARS IN ELKAFKA

reports and registration is made in Lambaré 866, TE: 4862-5439 or email: elkafka @ gmail.com

SPECIALIZED WORKSHOPS

STAGING WORKSHOP (Beginners)
by Ruben and Linda Schuster Szuchmacher
Intended for actors, directors, choreographers, dancers, musicians, plastics, writers, critics, etc. Course
annual March to November.
Registration Requirement: Send resume to elkafka@gmail.com and interview appointment.
Hours: Tuesday from 11:00 to 14:00
Initiation: March 22, 2011

The staging workshop, coordinated by Graciela Rubén Szuchmacher and Schuster, started in 1994 at the Cultural Center Ricardo Rojas. This space is proposed with an area of \u200b\u200breflection and production in the field of staging.

While cycling promoted by the Workshop is "Gender Chico" national works premiere at the Teatro del Pueblo, in 1997, an event that also participated in the first FIBA \u200b\u200bof the same year. I also came unhinged in the Red and upset II, Elkafka theater. Among the last works worked in the workshop are: "The great absence" by Laura Garaglia, "Bravo" by Horacio Banega, "Heartbreak" by Paula Travnik, Farce (s), Maria Zambelli, Pablo Quiroga, Emily Diaz, Maria Marull, "The strongest" by Emily Diaz, Maria Zambelli, Maria Marull, "Baby" Lorena Ballestrero and "Fabulandia" by Andrea Castelli., Among others.

Program:
1. Description and analysis of the object Staging. Arts involved in staging. Architecture, visual arts, sound art and literature.

2. Theatre Architecture. Real spaces, conceptual spaces, narrative spaces. Denotative and connotative aspects of space.

3. Visual Arts. Materials. Textures. Colors. Forms. Volumes. Light. Lines. The scenery.

4. Sonic arts. Problem of sound in the theater. The text and sound. The music in the theater.

5. Literature. The materiality of language. Texts of action, narrative texts. The drama: theories of representation in a text. Analysis of dramatic text. Analysis of non-dramatic text.
6. The system of staging. The practice of mounting. Staged projects.

7. Clinical stage. Job monitoring and staging. Directing actors. The formation of teams.

EXPERIMENTAL WORKSHOP ON THE IMPLEMENTATION SCENE
(Upper)

Szuchmacher by Ruben and Linda Schuster

Intended for all those who have completed at least the initial level of the Scenario Workshop.

Entry requirements: Interview schedule

Hours: Wednesdays from 11:00 to 14:00

Initiation: March 23, 2011

Program:

Staging on dramatic texts and texts written by the participants themselves. Analysis and practice of dramaturgy, space, visual, sound, action. Clinical staging.

ACTING TRAINING

by Ruben Szuchmacher and Francisco Civit

Aimed at advanced drama students and actors

Hours: Monday from 19:00 22:00 or 16:00 to 19:00 Tuesday

Home: 21 or March 22, 2011

Registration Requirement: Send CV to elkafka@gmail.com and interview prior to appointment.

Program: The text as a commodity. Correspondence text - body - thought. The action on the floor. The form of the word and rhythm. Training texts of Greek Tragedy and the English Golden Age. During this year we will work non-dramatic texts of Silvina Ocampo and Jorge Luis Borges. Dramatic texts by authors of nineteenth and twentieth century: Schiller, Chekhov, Strindberg, Ibsen (Siglo XIX) and Sartre, Co cteau, Brecht, Müller and Lagarce (Siglo XX).

TRAINING WORKSHOPS THEATRE

INTRODUCTION TO TEXT (Intermediate Level)

by Francisco Civit

Aimed at people with previous experience

Hours : Tuesdays from 19:30 to 22:30
Home: March 8

Registration Requirement: Shipping Order vacancy elkafka@gmail.com and interview prior to entering .

Program: The Workshop proposed work addressing the problem of a dramatic text, taking this as a starting point of the performance. Understanding the scene as a whole system composed of three major arts: music, visual arts and literature, advance invest in various materials igación dramatic. Discover textual structure and putting in word, thought, directions and action, through various exercises. Understand the problem of temporary political and philosophical writing and its resonance in our here and now. Since we will investigate dramatic writing the music scene (the sounds, rhythms and their variations, silences and intensities), and the role of the arts through the proposal made by the text (the body on stage, space management, etc.). In short, how to understand the text field.

TRAINING WORKSHOP FOR ACTORS (Intermediate)

"The structure of the scene"

by Maria Zambelli

Saturdays from 13:30 to 16hs
Home: March 5
For people who have completed a beginner's workshop theater.
The workshop proposes an investigation on the scene. Will inquire about perception, communication and imagination. It will analyze the structure, circumstances and actions of the different scenes. Will deepen the analysis of the characters. It will work on the opening of the senses. It will extend the expressive flow, using the tools provided by our body, then move those items to the service of the scenes. Advanced
the workshop will be incorporated and non-theatrical theatrical texts.

INITIATION THEATRE

by Francisco and Maria Civit Zambelli

Saturdays from 16 to 18hs
Home: March 5

For people with little or no experience in acting.
Program: The workshop aims to introduce participants to the concept and practice of theatrical performance. The first steps will be taken through trust exercises and group inhibitions and come to the practice of theater games and improvisations that laid the foundation for understanding the construction of a stage. Understand that the theater is constituted by the intersection of three arts, music, plastic and literature, these continually cross the scene, thus also the actor. From research and other creative exercises apply this knowledge to deploy and discover their own flow of expression.

INITIATION THEATRE

Ballestrero by Lorena and Miguel Israilevich

for people without prior training.

21:30 Tuesday 19
Initiation: March 8, 2011

Program: An Approach a theatrical performance. From theater games and acting jobs related to different poetic aim to find the tools to explore their own creative potential and realize their potential.

A place to know oneself and others. To bond with your own body and discover its expressive possibilities outside the daily habits in order to deal with improvisation and recognized as actors / actresses in a particular scene.

INITIATION THEATRE

by Mariano González

For people without prior training.

Hours: Monday 18 to 20:30
Initiation: March 15, 2011

Program: The workshop is aimed at people who wish to have a first approach to acting. Throughout the semester will scroll the basic elements of dramatic structure from improvisation exercises through a playful approach. will work both collectively and individually to encourage the projection of the imagination and translating expressive and emotional body, looking to expand the opportunities for each child in relation to their own characteristics. Materials shall be used various forms of art (movies, music, art, literature) as triggers for the creation of scenic situations. It aims to train the students observation in order to make useful items for the construction of possible stories theater. We encourage the search for a poetic language of action, aimed at producing a departure from the intensity and daily energy. It will also propose for instance shows / open class as a possibility.

THEATRE FOR CHILDREN

by Susana Balda

Wednesday from 17:30 to 19hs

The workshop focuses on the scenic creation from musical stimuli, where the game is the engine of the activity. From there come the words, images, situations and characters that make up a story.

THEATRE FOR TEENS

by Lorena Ballestrero

Saturday from 11 to 13.30

for adolescents aged 13 to 18 years

The workshop proposes a space closer to the theatrical performance. The main objective of the workshop is for participants to expand their expressive capabilities, incorporating performance tools, going to the theater and its procedures. Experience their potential and learn to recognize themselves as actors in an improvisation or scene. It will work on the preparation and physical availability, improvisation and assembly of characters.

SPECIAL SEMINARS

ART HISTORY
Course in Art History for all the arts.

By Graciela Schuster

Thursday from 10:00 to 13:00

Duration: 8 classes

Beginning in April 2011

usually thought of as a narrative art history and visual arts studio. This is due largely to the growing importance in the history of studying the data or documents that remained. Without doubt, the pictures are living with more ability to achieve eternity, or at least beyond our existence. This course will be devoted to studying the artistic problems in the debate and confrontation of the various arts in history. Appealing to the various resources of knowledge that reflect on the different types of art. Will, thus, the historical tensions in particular periods in art were set in a specific time representation, in which each art expresses his way of showing it.

THEATRE PRODUCTION WORKSHOP

By Paula Travnik and Gabriel Cabrera

Saturday from 11 to 13:30

Duration: 8 lessons (May / June)

Start: Saturday May 7 The
workshop is aimed at anyone interested in knowing the main tools and techniques of theatrical production alternative.

also intended that all the knowledge and skills acquired are applied in order to get quality products, through monitoring and evaluation of critical.
work inside the workshop and discuss issues related to the problems of production:
What is the stage production, stage and production systems, co-productions, design and project definition, planning, teamwork, cooperatives, Argentina's players association, copyright, election of theatrical spaces, funding and subsidies, costs of production design, budgets, press and communication.