Wednesday, May 6, 2009

I Caught My Sister Mastrabating

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RAW - Muscari / Asensio
All who knows Jose Maria Muscari expected something from him. Everyone who worked with him, or saw their works known to have that transgression to the public but still moving on the border with complicidad.Esta time surprised me. O no.No because these elements have not named as pillars of their creations, but because it was he himself who put them in juego.José Maria actor. And no actor in a text from another (that would be "weird" or "less frequent" in it), but their benchmark exponent alter ego. Or rather, he himself being mismo.Ya is from a blog, a screen with your own Facebook, a call to his parents live, or cook a fried egg on the scene ... he opens wide, to show, in a funny, funny, sensitive, natural who is José María, how the world around him. "Josecito" appears on the scene by brushstrokes fine Mariela Asensio was able to give. Whether its qualities as a playwright, director or goes "Muscari best friend." Rosario SabarrenaTe invite you to share the interview I did with José María Muscari, star of CRUDO.1 / How did the idea of \u200b\u200bdoing a play about yourself? Of my need to act. I had some texts written long ago, very self-referential and called Mariela Asensio. She rolled the drama and created the site (raw) talking about me and my vida.Pero not only that, speaking of technology, of obsessions and thousands of more universal themes that my own mundo.Creo that magic has returned the work Mariela something so accepted and enjoyed for all audiences and is all the time género.Crudo experience feliz.2 / Mariela Asensio Why? Because his earlier works "Hotel melancholy" and "Women in the bathroom" I loved, I was caught. He knew that his pragmatic way was a good meeting place. Because it's my best friend and she knows me like nobody else. Because no interest in the theater of representation and it gets me. Because it was a good woman and the look of a woman on a man's life. Because it is personal and trabajadora.3 / Your works have a lot of "exposure" from the actor, either with their body, their sexuality, their words, the public face of a very particular way. Why do you think you have that common denominator (if you agree with me that what you have) and why this time encouraged to be yourself which is exposed? I think my paintings are me. I am well and that shows in my creaciones.Creo also the person and the artist are less separable, then my work and my material speak to me despite myself. But in oil, the idea of \u200b\u200bexposure was not something premeditated, it was rather a Mario game, a universe personal poetic that she suggested and I added up without resistance: from calling my parents live, check my mail or show pictures of my parejas.Todo led him and created it, I was playing, saying yes, bringing my little world. And as I trumpeted for years and explore the boundaries of fiction and reality, humanity versus personal shows, I found myself in the foreground was attractive and I decided not pensarlo.4 / What role do you feel playing your old in this fact art? are a key element in my daily life and portrays the existence RAW, then they are included as tales.Ellos know that when they talk to me the public to hear, but not being actors have no chance and they are acting, it becomes the intersante.La phenomenon is rare and happy experience, ambiguous. And it's not fiction, but is an artistic personal.5 / Your audience is wide and varied, but there is still a "clan muscari", people who follow you, you see your work because you know, because laburo with you in any chance, because I was in a teaching seminar. What was the response you feel that this work from both public (who knows you and you not) who knows me I think he found very little sensitivity mostrada.Esa my sensibility, that color is part of my existence Mariela and captured him and threw him in a show for nothing melancholy pop.Creo but that the public, the cult, going to RAW to see a work of excess and is narcissistic with a side of the coin completely unknown as to my way of being on stage or the emotions that the show takes you. Merit Mariela.Y who knows me doubly identified with RAW because it is a show that also generates immediate support, deeper, friendship, love, happiness, even in the daily pain. And that the public will agradece.6 / When and where do you turn to? From July AUTHENTIC, my new book on the originalidad.Una work based on other works, plagiarism, on scraps of past works. A tribute to what we like cinema, youtube, music chatarra.Una meeting of five friends who discuss political and microphones bleed sexualidad.Cinco emoción.Blog of this work in construcciónwww.autenticoteatro.blogspot.comMi blog personalwww.mundomuscari.blogspot.comweb laboralwww .portaldedramaturgos.com.ar / josemariamuscaritodas CRUDOwww.crudoteatro.blogspot.com7 news about single function. Monday, 21 hs., $ 30Finaliza mayoTEATRO on Monday, 25 Piccadilly. Corrientes 1524Entradas for sale at the box office or

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